EMU Ultra Proteus User Manual Page 12

  • Download
  • Add to my manuals
  • Print
  • Page
    / 152
  • Table of contents
  • BOOKMARKS
  • Rated. / 5. Based on customer reviews
Page view 11
Fundamentals
12 EMU Systems, Inc.
This is how the rate/level envelopes work: When a key is pressed, the envelope
starts from zero and moves toward the Attack 1 Level at the Attack 1 Rate. As
soon as it reaches this first stage, it immediately begins the Attack 2 phase and
moves toward the Attack 2 level at the Attack 2 rate. As long as the key is still
held, the envelope continues on through the Decay 1 and Decay 2 stages. If the
key is still held when the envelope reaches the end of Decay 2, it simply stops
and waits for you to release the key. When you release the key, the envelope
continues through its Release 1 and Release 2 stages, returning to zero at the
end of the Release 2 stage. The rate/level envelopes give maximum flexibility to
program both complex and simple envelopes.
The envelopes and other controllers are connected to the sound processing
blocks using software Cords. Cords have a built-in bipolar amount control.
(No, they’re not schizophrenic!) The amount goes from -100 to +100. If the
amount is negative, the control signal is inverted. The Cords provide
tremendous flexibility because they allow almost any possible connection
between the various control and processing modules.
So there you have it! There are three basic sound processing modules:
Oscillator, Filter and Amplifier. The Envelope Generators and other
controllers are connected to the processing modules using Cords, which have a
built-in amount control.
An oscillator can be ANY sound. Samples are imported or recorded, then
shaped using the various filter types and the amplifier using the envelopes and
other controls. The possibilities are truly staggering!
In creating a synthesizer sound you become an instrument builder. Your job as
builder is to combine the various elements together and add various types of
control so that the instrument responds in a musically satisfying way. So let’s
continue now and build a preset completely from scratch.
Amp
L
R
LFO
(x2)
MIDI
Controls
Envelope
Gen
(x3)
Other
Key #
Velocity
Gate
Retrigger
Pitch
Loop
Frequency Q
Vol
Pan
Chorus
Glide
Start Offset
Voice
- 36 Cords -
Filter
Controllers
Function
Gen
(x3)
Sample
(Oscillator)
Page view 11
1 2 ... 7 8 9 10 11 12 13 14 15 16 17 ... 151 152

Comments to this Manuals

No comments